Lost in a good tune or ‘How to be unique’

Lost in a good indie tune
– or ‘How to be unique’

YES, WELL NO (2009)

Yes, Well No Bass-Fx-Setup

To create a nice pixies-esce sound with some MCLUSKY attitude I run the bass into the
passive input of an HAO Rust RIDE, both outputs of the HAO into a LS-2 (Mix 70/30), into a
Sovtek/Orion Big Muff PI, into something looking like Wooly Lee Majors but called ITC IRON MAN, into a TubeAmpPunisher called ITC (ORANGE THING)1 - into an old ‘77 Acoustic 220 amp which drives a 15′HK speaker.

Beside that I have two options – I can switch the EQ of the Acoustic 220 on/off to give me additional definition (and tuning the fuzz’z to the location) and Iam able loop the whole overdrive / fuzz chain and route the bass signal thru a optical compressor directly into the Acoustic220 to have a clean, punchy bass signal on demand.

The HAO provides a mild overdrive, while the Big Muff Pi and the ITC IRON MAN create the rage. The ITC (ORANGE THING)1 is only to provide an extra boost and compression on demand.

Yes, sir – Iam addicted to chrome!

From the chapter:  my bass looks better than your bass – sing it!

DEAD HIFI brit:flat:4

my bass looks better than your bass - sing it #1

my bass looks better than your bass - sing it #2


FENDER 50s PRECISION


IBANEZ BLAZER BL-800

my bass looks better than your bass - sing it #4

SX SJB-57 (DH modded)

my bass looks better than your bass - sing it #5

my bass looks better than your bass - sing it #6

Vintage Modified TB (DH modded)


Modding

…some modding we did over the years

DH rec:doll:mod

DH rec:dol:4

DH rec:doll:4


Custom Control Plate for JB

A custom control plate for a jazz with a strat insert, ITC 5′er off- neck -parallel-seriell-bridge and ITC DIAL-A-TONE 6

DH x’er:mod

AOS mod

Aos ModA custom pickguard and ITC 3′ er neck – both – bridge, passive /active via volume pot

x'erITC x’er

(to be cont.)

Protected: …like -V-eggie on the -T-able when you are looking for some -BASS- (fish)

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DH rockabilly:riot:1 (MONK’s preamp)

DH rockabilly:riot:1

For MONK my beloved 70s Engelhardt double bass I was looking for a proper and powerful pickup combination.

MONK

First thing I found out: there are as much approaches on the planet as thoughts about evil.

Because of the focus of my band (-Rockabilly) I need something loud and also I need to have a second pickup for the neck just for the clickclacke-dee-clack noises.

To be honest I did not test any pickup before, because there are too much approaches and each is way expensive and (very important) most of them need modifications on the bridge.

I visited a lot of gigs in the past and every time a double bass was used I checked the pickup system and compared that to the sound of the band and often I had a chat with the bass player. That’s not quite as good as playing around with several systems but it’s way better than reading thru different boards. I found out that I did not like the sound of a magnetic pickup, though I love the handling, but in the end it just sound like a better fretless bass and not like a upright. All upright sounds I really dig had piezo pups mounted and a proper eq behind it. So I went for a piezo+piezo solution too.

In the end I’ve choose the Upton Revolution Solo II. Why? I listened to rockabilly and jazz concerts with double bass player who used that pup and it sounded good in both categories. For the neck I have choosen a Schaller Oyster. No special reason for that – I don’t care much for the sound of the click because it’s more or less a acoustic accent.

Monk's PUPs

THE PREAMP: DH rockabilly:riot:1

(soon)

COMP each pickup separately

(soon)

EQ’ing or How I got used to my WP3-7

(soon)

Review of the VT Bass unit

(coming up soon)

VT BASS Rehearsal #1

VT BASS & WP3-7

VT BASS on the floor

ITC (Orange Thing)³ (evo stage)

ITC (Orange Thing)³ (evo stage)

Temporairy we are reworking the ITC Orange Thing circuit and test misc low noise op’s to review some more options.


DEAD HIFI (brit:flat:4)²

I did some rework on the bass lately.

First of all I changed the neck. I still did not like rosewood. No it’s pure canadian maple.

A smooth neck with J-dimensions from the states.

Also I changed the Wilkinson 3-D for a Wilkinson Vintage Bridge.

Last but not least I swapped the ITC Four’er pickup logic for a ITC THREE’ER.

Simple. Efficient.

(Maybe I put some chrome on it, maybe not…)

DEAD HIFI (brit:flat:4)²

DEAD HIFI (brit:flat:4)²

DEAD HIFI (brit:flat:4)²

(24.05.09 – w./ chrome cover and Black Nylon strings)

Return of the HC1977 Booster/Drive

The new (old) parts arrived, the HC77 Booster/Drive is coming up in late may!

Also Iam thinking of a new bass fuzz…

DH Parts

ITC (ORANGE THING)²

ITC (ORANGE THING)² – the tube amp punisher!

ITC ORANGE THING (EVO2)

We love this compressor and so did you!

Here is the enhancement of the ITC Orange Thing.

And it sound great for the same reason that Les Paul Juniors, old fuzz faces and tweed amps  did – simplicity!

There is only one knob, which sets the (tube) PUNISHMENT  and one who sets the BIAS.

Once you set your BIAS to the sweet spot of your individual instrument, forget it!

Nothing more.

No manual.

These thing – believe us or not – can’t sound bad!

Just like a little punishment can’t be bad at all…

You will tweak your valve amp to a sound, you never heard before.

ITC (ORANGE THING)²is not like a  simple booster, it’s compression you will hear pump and breath. It fattens your sound and adds more punch.

No understatement in your sound, no compromise.

ITC (ORANGE THING)²

Don’t get me wrong, I love our very  discreet optical compressor (coming up early 2009: ITC KOMETER) very much, but sometimes your  -sound- has to be a statement written in CAPITALS.

ITC (ORANGE THING)² adds a little roughness and tubishness to your sound. It really shines together with an good valve amp, nevertheless it warms up your  transistor top too and gives you an instant Larry Graham sound on demand.    I used it in the past to warm-up my little workingman amp for chillin’ club gigs or simply itch my  Brassmaster a bit.   It sounds great with any guitar(valve)amp also. We validated the EVO2-version with a Fender Blues and a Fender Bandmaster and here it really shines! You can boost your volume and fatten your sound or only add more punch, without increasing the volume.

THIS UNIT IS FOR BOTH BASS & GUITAR TUBE AMPS!

After playing around with the EVO(lution) 1 Version we found out that a BIAS pot is much more useful than a CHARACTER switch. Also a very nice-to-have switch, but to be honest, you will really dig the BIAS knob. Turning it up and down will give you the ability to find the sweet spot of your own instrument. No more factory presets you’ll have to live with.

ITC ORANGE THING EVO1 (w/ character switch and bias-inside)

ITC ORANGE THING EVO1 (w/ character switch and bias-inside)

•  hand-crafted in Germany

•  equipped with matched transistors

•  true bypass as usual

•  standard housing by Hammond

•  Alpha pots

•  Switchcraft jacks

•  powered by battery or dc

•  high- quality switches

•  equipped with an selected JRC4558 chip

PUNISHMENT - Set your volume (boost) level

BIAS – Find the sweet spot of your instrument to get the full sound out of this box.

…this version was especially made for Oll B.Right and his 196x’s Fender Bandmaster.

The Oll' Bandmaster


Listen to music of his band here:  www.myspace.com/thedetroitrocks


There is also a optical versions of  ITC (ORANGE THING)² in ED stage:

…the ITC KOMET(ER)


Independent Tone Control is a collaboration of two cologne session musicians from the independent music scene together with an electronics specialist and with the intention to get the unique sounds and stompboxes of the sixties and seventies back on track. Long time unaccounted sounds combined with handcrafted quality and a true bypass switch – made for daily studio work and rough live situations and way ahead back to the time when a good sound was analog and Zappa was still alive.

We are building only gear wear are interested in and allocate it to people we know, musicians we like and talented nerds to give their sound an true vintage flavor. We sell nothing!

No further reproduction, usage and copying of the text without permission of the author. Commercial use is strictly prohibited!

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